
Fall of Man 2024 oil on canvas 60 x 48

Pieta with Home Life 2025 40 x 30 oil on canvas

Eve of the Eucalypt, 2023 Oil on canvas with paper collage (72 x 50)

Flower Wars I 2022 (60 x 48)

Portrait with Fire Chief, 2022 (60 x 48)

Self Portrait in a Still Life, 2022 (30 x 24)

Mistress of Beasts 60 x 30 2024

Brenda as Siren 60 x 30 2024

Vara as Venus 60 x 30 2024

Taronga, 2023 (72 x 48)

Portrait with Cock and Moth 2024 40 x 30

Self Portrait in a Still Life: Yellow Apron with Big Bad Wolf 2024 oil on canvas

Quarantine Hotel View, Sydney 2021 (11 x 9)


Flower Wars II, 2022 (60 x 48)

Gorgeous Feast II, 2018 (54x26)

Mother and Child with Snakes and Ribbons 2018 (60 x 36)

Portrait as Night Nurse, 2019 (72x 48)

Dainty Dish, (60 x 48)

Nest, 2019 (48 x 32)

Portrait as The Birth of Venus, 2019 (50X48)


Casilde X, 2018 (54X36)

Portrait as Gorgeous Feast, 2017 (60x48)

Portrait with Cranach, Plath, and Arno, Aged Nine Months, 2017 (72X34)

Portrait with Margaret, (40x30)

Tooth Fairy

Pieta in Primary Colors 2023 (50 x 46)

Last Judgement of the Ivory-Billed Woodpecker, 2013 (72x48)

Portrait as Burning Bush, 2018 (60 x 48)

Nocturnorum Animalium

Portrait as Topiary, 2012 (52X36)


Eve, 2014

Dame au chevre, 2014 (34X24

Portrait as a Lady Serving a Meal, 2008 (48X36)

Suburban Pastoral, 2010 (52x40)

Portrait as Sunday Brunch, 2012 (60X48)

Portrait as Woman Guarding Prairie, 2006 (48X40)

Portrait as Allegory of Fidelity, 2010 (60X42)


The self-portrait confronts the viewer with an outward representation of the inner self. Here is the exterior as seen by the interior.
The self-portrait as a character introduces a further element. While the self-portrait implies that the artist is showing us the truth, a representation of the exterior in disguise conveys the impossibility and doubleness of this endeavor.
Through the seemingly private world of self-portraiture and autobiographical narrative, I hope to present a compelling fictive world, without dictating a precise narrative or relying on a static symbolism. I try to invest the figure with an iconic confrontability – making it operate both as self-portrait and archetypal heroine.
Painting impels me to cross the border freely between the universe of things and the universe of the imagination. The former involves an urgent encounter between the eye and the exterior world, while the latter contains the interior universe of memory, history, narrative, and desire.